About four months ago I posted with the opinion that Monk. was my favorite Thelonious Monk album. I stand by that opinion . . . and if I was forced to take but a single Monk album to a lonely place, my new choice would probably be Brilliant Corners. Recorded in 1956 and remastered in 1987, Brilliant Corners has a great lineup, featuring the saxophone of Sonny Rollins and the drums (including tympany!) of Max Roach. The tunes are “Brilliant Corners,” “Pannonica,” “Bemsha Swing,” and two others.
According to original liner notes, the music was very difficult for the gifted musicians to play. Maybe for this reason the album won’t be as accessible to many listeners as other Monk offerings. But it’s still fun, and I’d be just plain wrong not to recommend it to the curious.
Craftsmanship and jazz piano
I can’t remember the jazz writer who compared Horace Silver to Jean Baptiste Camille Corot on grounds of their respective craftsmanship, but his idea helped inform my appreciation of Silver’s recordings. When I think of jazz pianists in the context of craftsmanship, two lesser-known artists come to mind: Richie Beirach and Sir Roland Hanna. Hanna’s Everything I Love (2002) is astonishing, and the liner notes reveal Hanna just started playing, selecting tunes on the fly, and recording them in first-and-only takes! It’s a marvelous collection, and I especially recommend “You’d be So Nice To Come Home To” for your playlist. His version of Miles Davis’ “All Blues” will please many listeners as well.
Sir Roland Hanna, 1983
MONK.
Where to begin choosing a favorite? Monk’s extensive discography has been exhaustively examined and rated. I own plenty of albums and CDs from this jazz icon. And there’s one disc I would include in a desert-island collection: Monk. on Columbia, from 1964. This recording is the first of his later quartet including Charlie Rouse, Larry Gales, and Ben Riley. What keeps me smiling through listenings close or distracted is the program and its pacing. “Pannonica” is here (two takes), and so is the wonderful, odd “Children’s Song (That Old Man),” and so is a beautiful solo “I Love You (Sweetheart of all My Dreams).” All selections are taken at natural tempos, and the transition from one to the next is satisfying. I think this might be the disc I recommend to the inexperienced listener. The vinyl and CD covers can be different; look for CL2291 (vinyl) or CK86564 (CD.)
A good picture book is nice
A Tree Is Nice (1956) doesn't have a plot; the book implies the hero/ine is any child who likes trees and especially the child who might plant a tree. Udry's delightfully simple subject-verb text—ideas strung together the way a child does—and Simont's charming pen-and-wash illustrations combine to form a beautiful expression of childhood. Notice the book's tall, tree-like format. While A Tree Is Nice has plenty of appeal to adult readers, children can find and remember interesting visual points of interest such as squirrels, fishing, games, swings, doghouses, and shovels. Happily this classic is still in print and easily available.