Geoff Dyer playlist

by Paul Burmeister

Working through a good collection of Dyer's writing (Otherwise Known as the Human Condition),  I intently read his essay, "Is Jazz Dead?" Although many American readers may not agree with his conclusions on the subject, along the way he shares interesting examples.

 . . . which calls to mind the easy advantage of sampling jazz in iTunes format. Sampling and buying one tune at a time—this is often the way I assemble a playlist, organizing the group entirely around someone else's critical judgments. My playlist from Dyer's essay includes artists I was not familiar with, such as Rabih Abou-Khalil, Anouar Brahem, and Nils Petter Molvaer. The playlist also includes familiar artists such as Don Cherry and Keith Jarrett, both of whom were well-represented in my existing collection but not for reasons Dyer finds them crucially important.

 

Borges and his reader's reader

by Paul Burmeister

Re Borges' theoretical fiction: Pierre Menard, Author of the Quixote

In her splendid study (1993) of Jorge Luis Borges, Argentine cultural critic Beatriz Sarlo examined and uncovered Borges' important position as a thinker on the edge of things. Among the works discussed is an early short story in the form of review, Pierre Menard, Author of the Quixote, which provides necessary details about a fictitious writer's (Menard) efforts to rewrite an exact copy of Cervantes' original masterwork. Ultimately, Menard does not come close to completing his copy, having finished only identical fragments—two chapters and parts of a third. Still, the reviewer finds Menard's Quixote to be "more subtle" and "infinitely richer" than Cervantes' original. In Menard's passages the reviewer recognizes Menard's style and something of his voice and credits Menard with having enriched "the halting and rudimentary art of reading." What Borges has achieved in this economically dense fiction is to call into question assumptions about identity, authorship, and originality. I recommend Pierre Menard for this achievement and also for its demonstration of Borges' dry humor and effortless use of the perfect detail. 

 

Gorey's winners and losers

by Paul Burmeister

In a 1994 interview with Clifford Ross, illustrator Edward Gorey (1925-2000) picked winners and losers from the history of art and illustration.
Among the winners: Francis Bacon, Paul Cezanne, Henri Matisse, Francisco Goya, Albert York, Max Ernst, Edward Ardizzone, and Balthus.
Losers include Pablo Picasso ("And Picasso I detest more than I can tell you.") and Edouard Manet ("I'd like to think that it was Manet who really wrecked painting forever.")

Whether or not you like Gorey's body of work, the interview makes for an interesting read, in The World of Edward Gorey, Abrams, 2008.